Swastima Khadka: Redefining Nepali Cinema Through Authentic Storytelling

Swastima Khadka is one of the most successful actresses of recent times. Starting her journey with 'Hostel Returns', she has quickly established herself not just as a glamorous star, but as a serious performer capable of delivering character-driven roles.

With powerful performances like the tempo driver in 'Bulbul' and the role featuring the Sudurpashchim dialect in 'Chiso Manche', she has won hearts by prioritizing the character's lived experience, social context, and the integrity of the story over mere screen presence.

Her dedication is evident in her research for the upcoming film 'Lalibazar', where she visited the Badi community to understand their lives. She continues to challenge the traditional Nepali societal belief that an actress's career declines after marriage.

Her latest film, 'Lalibazar', is set to release on Baisakh 18. Here are the edited excerpts from a conversation with Khadka regarding the film and her acting career:

• The trailer and promotional material for 'Lalibazar' suggest a unique and powerful role. What is your character like?

I play the role of 'Madhubala', a woman from the Badi community. 'Lalibazar' is a story of a mother and daughter, set in the Badi community around the year 2042-043 B.S. It is a special and unique story as there is little documentation about this period.

In our films, female characters are often treated as 'fill in the blanks', but here, the writer and director have crafted the character with great care.

• Your look as a pregnant woman during the film's announcement received significant attention. Why and how was this look prepared?

We wanted to provide a visual that would stick in people's minds rather than just an announcement. Since the story is set in 2042-043 B.S., we put a lot of effort into the look test. Our goal was for a powerful poster to leave an impression about the film's intensity and story, and we succeeded.

• Did you conduct research for this role?

Yes, a lot of research was required. There is very little information about the history of the Badi community on the internet. We visited their settlements and spoke with the mothers there. We had the chance to understand their mannerisms, speech, and lifestyle. Many people only associate the Badi community with sex work, but they have a huge contribution to music, especially in playing instruments like the Madal and Damaha. Learning this was a great experience for me.

• What is the current state of the Badi community?

A lot has changed. Some have even become ministers, but many are still struggling for their identity. It is sad to hear that some have changed their surnames due to societal stigma. I hope our film sends a positive message and creates an environment where they are viewed with respect.

Previously, there was a belief that a career ends after marriage. Initially, many advised me not to get married.

• Why did you feel you had to do 'Lalibazar'?

Initially, it was just work and passion. But as I understood the script, I realized that while female characters are often just 'fill in the blanks' in our films, this character was written with love. Playing this role made me more empathetic as an artist.

• The trailer features action and bold dialogues. How challenging was this?

Every character is challenging. Representing a marginalized community brings a greater sense of responsibility. We were very careful to ensure there was no disrespect in the dialogues or dialect. It was a huge challenge to represent the community correctly.

• What was the impact of playing 'Madhubala'?

I am not an actor who gets lost in a character, but playing such a profound role leaves a mental impact. Feeling their struggles forces one to think about many things.

• How has Swastima changed from 'Hostel' to 'Lalibazar'?

A lot has changed. Initially, I just wanted to be seen on screen. Now, the message of the film and the honesty of the makers influence me more. I feel more mature and empathetic as an artist.

• Why is it said that an actress's career is short?

There was a belief that a career ends after marriage, but times have changed. It depends on the roles you choose and how you work. I was able to show that one can balance work and family.

There are many people who watch films on YouTube, but they are afraid to spend money in theaters. A film must provide value for the audience's money and time.

• What is your priority when choosing a film?

The team is the most important thing for me. An honest team can make even a simple story excellent. Then comes the story and the remuneration. I don't believe I must only do female-centric films, but I want my character to be strong and meaningful.

• The number of Nepali films has increased, but business has declined. Where do you see the weakness?

The main thing is the audience's trust. People watch films on YouTube but are hesitant to go to theaters. A film must provide value for the audience's money and time. Until we make good films with honesty, it will be difficult to attract audiences to the halls.

• Many actresses are seen in theater lately. What are your thoughts?

There were plans to do theater two or three times, but it wasn't possible due to COVID and busy schedules. Theater is a great learning experience. If I get the chance, I will definitely do it someday.

• How do you view the involvement of artists in politics?

An artist is also a citizen. If they are concerned about the country and feel they can contribute, it is not wrong to enter politics. However, I have no such thoughts at the moment. I am happy with my art.

• Do you have anything to say to the audience?

This is a very emotional film. It tells the story of a mother-daughter relationship and a new community. We have made this film with great effort and honesty. It is releasing in theaters from Baisakh 18, please go watch it.