Mughal-Era Havelis in Old Delhi Face Fragile Existence Between Revival and Ruin

Kathmandu. Havelis, once the grand residences of Mughal-era nobility, now exist in a precarious state between revival and ruin in Old Delhi. While some have been lovingly restored, many structures are on a path of gradual decay. This highlights the complex conflict between heritage preservation and modern urban pressures.

In the inner lanes of Shahjahanabad's old city, broken facades, leaning balconies, and closed doors narrate the story of abandonment and the challenge to the historical legacy of century-old havelis. A few restored havelis offer glimpses of courtyards, sandstone pillars, and social life.

Sunlight streaming through stone arches in a house converted into a cultural center animates the interior atmosphere. Musicians play instruments in the courtyard where nobles once entertained guests.

But outside, in the narrow lanes of Chandni Chowk, many havelis remain abandoned and decaying. Their carved facades and torn doors show the impact of time and pressure.

Atul Khanna, founder of a cultural center in Kath, spoke about his initiative to create a cultural space within a restored structure, "When there are multiple owners, the challenge arises over who bears the cost of haveli maintenance. Bureaucratic hurdles also impede restoration."

An 18th-century haveli in Dharampura has been transformed into a heritage hotel. Vidyut Goyal, whose family owns the haveli, says, "Restoration in Old Delhi is isolated and challenging. Family disputes and commercial pressures have accelerated the structure's decline."

Some havelis in Roshanpura still stand scattered. The Mathur family's haveli, now a live-in heritage home, offers a glimpse into the haveli life of the past. Ashok Mathur, fourth generation, said, "We could never think of leaving. Living in the haveli preserves the memory of the old social world."

Conservationist K.T. Raveendran stated, "Buildings that appear intact from the outside often conceal serious internal damage. Revival is possible, but community-based efforts are needed instead of isolated projects."

According to oral historian Sohail Hashmi, every haveli was once part of a social ecosystem connected to neighbors, crafts, and traditions. As Atul Khanna noted, "When a haveli is lost, it is not just the building that disappears, but every piece of art."